We all need that little something extra to motivate us, whether it is a treat at the end of the week, the prospect of better days, or a voice in the background cheering us on. Sometimes that something extra can help us in more literal … Continue reading Prom Night III: The Last Kiss (1989)
Tag: 1989
Halloween 5: The Revenge of Michael Myers (1989)
No matter how long it is, you usually have an idea of the ending point when creating a work of fiction. Sequels can complicate this, of course, sequels with changing targets, people coming and going behind the scenes, and the general passage of time complicating … Continue reading Halloween 5: The Revenge of Michael Myers (1989)
Thank Goodness it’s Thursday Part 12 – Friday the 13th Video Game (1989)
The Friday the 13th franchise has had some recurring patterns over its lifetime: a group of partying teens, usually by a body of water, have their plans wrecked by the murderous hand of Jason. As is common for film-goers in comfortable settings to boast that you, … Continue reading Thank Goodness it’s Thursday Part 12 – Friday the 13th Video Game (1989)
Hollywood and Elm Part 8 – A Nightmare on Elm Street Computer Game (1989)
With digital home entertainment becoming the next thing, a lot of films wanted to get in on the profit potential. Yet, the limited interfaces, nor the rudimentary devices of the time, did little to hamper the ingenuity and creativity of the designers. In 1989, home … Continue reading Hollywood and Elm Part 8 – A Nightmare on Elm Street Computer Game (1989)
Thank Goodness it’s Thursday Part 8 – Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Sometimes you need to get out of your surroundings and go to a new place, even if it is just for a quick visit. The benefits are plentiful to both your mind and body, even if you’ve been dead and back again countless times before. … Continue reading Thank Goodness it’s Thursday Part 8 – Friday the 13th Part VIII: Jason Takes Manhattan (1989)
Hollywood and Elm Part 7 – Freddy’s Nightmares (1988-1990)
Our dreams can be the best entertainment, a pseudo-coherent narrative, inspired by the events of the day, the food you ate, or whatever else is plaguing your mind. The realm of Freddy Krueger showed its potential on the big screen, but for the longest time, … Continue reading Hollywood and Elm Part 7 – Freddy’s Nightmares (1988-1990)
Hollywood and Elm Part 4 – A Nightmare on Elm Street 5: The Dream Child (1989)
We are all products of our circumstances, sure genetics can play a helping part, but some argue that nurture, more than nature, can end up scaring your bloodline for a long time to come. In 1989, with the 1990s on the horizon, a certain sharp-clawed … Continue reading Hollywood and Elm Part 4 – A Nightmare on Elm Street 5: The Dream Child (1989)
Macabre Month 4 Part VIII: Pet Sematary (1989)
The periodic angst of the inevitability of death is no stranger to the likes of you nor me. We all have different ways to process the grief, yet the common response is to wish the ghastly event didn’t even happen in the first place. Regardless … Continue reading Macabre Month 4 Part VIII: Pet Sematary (1989)
The Hit Factory Part 3: The Reynolds Girls – I’d Rather Jack (1989)
Times change, fashions evolve, yet some staples will remain around for years to come. Initially, there is nothing wrong with acts continuing to bask in the limelight. It can become an issue if this basking eats up the valuable potential exposure for the next best thing. Especially if the gatekeepers of culture are apprehensive to accept this change. In 1989, as an attempt to provide a pop-focused vox populi for the younger masses, Stock, Aitken, Waterman, found two sisters and turned them into a ready-to-go music act. The results were The Reynolds Girls musical unveiling, I’d Rather Jack.
To provide some context for the song’s origins. Stock, Aitken, Waterman were riding high commercially, yet the music was constantly being derided by the music presses. Getting fed up with the constant derision (and lack of airplay). They hypothesised that the old guard of the music industry was out of touch with the youth of the day and felt determined to evoke change. The Hit Factory picked two sisters to act as a voice, of the fans and of the producers, to convince disc jockeys to start playing the fresh new sound. The success of that attempt was debatable, but it did produce an entertaining song out of their efforts.
Like most tracks produced by The Hit Factory, the tune is flashy, catchy, and a tonne of fun, with a high proportion of synthesised sounds. You hear the squelchy origins of the Madchester acid house genre starting to permeate. Considering how the story would end for Stock, Aitken, Waterman, it is quite ironic for them to help lay down the groundings for the styles that would make them obsolete. Though this makes sense, considering that The Reynolds Girls were positioned to be ambassadors for the youthful up-and-coming sounds. All this is accompanied by an electronic drumbeat that adds a driving sensation to the proceedings, and hook-laden elements to give you earworms for days after hearing. Making this song a quintessential example of The Hit Factory sound that divided fans and critics to this day.
It is in the lyrics, that The Reynolds Girls earns retrospective intrigue. The chorus clearly articulating the manifesto of The Reynolds Girls that the songs on the radio are dated and stale. With the sister’s less than subtle attacks on the perceived old rock bands like Dire Straits and the titularly-called-out Fleetwood Mac. Interesting targets, nonetheless, as these were musicians who were still grabbing the audience’s attention at the time, even to this day. And the curious reference to Jack, and the uncertainty of what that refers to, New Jack Swing? An innuendo? I guess it is up to the listener.
While the solitary single was called out for being a manufactured attempt to appeal to the youth crowd. The song is an entertaining dance song with entertaining lyrics and a pleasing mixture of danceable beats and hooky rhythms. Unfortunately, The Reynolds Girls careers died with I’d Rather Jack, as the track offers some pop potential and could be a blueprint for a bustling regular music career. Though Fleetwood Mac, Pink Floyd and the like still enjoy intergenerational appeal, I would imagine for The Reynolds Girls, they would rather jack.
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