In 2006, a decade after their writing debut, the duo of Jason Friedberg and Aaron Seltzer, after facing difficulty capitalising from Spy Hard. They had finally worked upon a film themselves, from producing, writing, directing practically all on their own. Times have changed in the … Continue reading Friedberg and Seltzer at the Movies Part 2: Date Movie (2006)
Recreating cinematic action in a video game can be puzzling as the tools and cunning available to a film’s protagonist can be hard to emulate in a controller, yet in the early 2000s, many home consoles saw various attempts at bringing eighties action and horror … Continue reading Beverly Hills Cop (2006)
It has been a complaint as old as time, that our elected officials do not seem to listen to us, instead seem indebted to wealthy corporations. Their differences are not as apparent to a disillusioned electorate, and as a result, apathy in elections is still … Continue reading Man of the Year (2006)
It is safe to say that Hollywood is not afraid of the apocalypse; it feels like practically every day the state of California deals with an unprecedented disaster. Only fuelling the sense of global paranoia and sense of general doom that geopolitical issues are only … Continue reading Bad Day L.A. (2006)
Money can be a powerful force in getting ahead in the music business, this is often a case for a lot of the music I cover here. For some, a lot of money can be a big break in getting their voices out there. In 2006, Heiress Paris Hilton turned her efforts towards the music industry, in her eponymous debut into the music business, Paris.
The album is a standard-length collection of 11 songs or 16 if you brought the deluxe edition. Some are covers like Rod Stewart’s Do You Think I’m Sexy, but the majority are original compositions. Sonically and lyrically they feel like what you would expect from Paris Hilton, I guess this is why the album is eponymously called Paris.
Like a lot of pop records, its slick production helps capture the zeitgeist of the pop music scene in the mid-2000s before electronic music had its second comeback. It has been described as having a more R&B influence, and it can be heard with the higher thumping bass and extended danceable beats. I was kind of surprised by the instrumentation going into this album, as the songs have a wide assortment of styles, such as a retro disco sounding homage with violin stabs that were de rigueur at the time. Slide guitars also feature prominently in this New Yorker’s album along with the expected mid-2000s assortment of samples and instruments that can be found on a lot of hits of the time. Her voice is not as auto-tuned as you would expect, there is some processing, sure, but a lot of Paris’s natural quality can be heard.
Remarkably, the album was going to be different before meeting with producer Scott Storch, while it would be interesting to ponder what that would be like, the finished product is found not wanting. The collection rightfully chooses Stars Are Blind as a single, an anthem that evokes Blondie’s Tide Is High and other Reggae inspired classics. It is a song that neither she wrote nor produced, but she delivers. Her production efforts can be heard on the Lead single, Turn It Up, a sonic impact that kicks off the album well. Notably, the infamous track, Screwed, also made it on the album, even after the legal difficulties, but upon listening, I think the song is best served in the hands of Paris Hilton.
For the fans of pop music, this is another great record, and those casually listening on the radio will be surprised how indistinguishable Paris’s attempts were to other musicians at the time, apart from here uniquely minimally processed vocals, giving the album a distinctive quality as a whole. Paris is currently Paris’s only studio offering. A shame as this release shows the socialite has some potential for the charts, that could be molded into a musical force to be reckoned with. As the hit single famously states the Star Are Blind, but in Paris case, they still shine.
If you want more positive reviews delivered to the e-mail box of your choice, you can click on that little text bubble at the bottom of the screen. Do you agree or disagree? or have a suggestion for another pop-culture artefact that needs a positive light shone on it? Leave a comment in the comment box below! But remember to keep it positive!
Film debuts are tricky enough, you only get one chance after all. But when circumstances push your debut past your second film, you know that luck is not on your side. In 2006, Hotel chain heiress, Paris Hilton was given a vehicle to break into … Continue reading From Paris to Berlin Part 1: National Lampoon’s Pledge This! (2006)
As a species, we put a lot of stock into the idea of Karma and penance. The idea that our actions and consequences will balance out. That good deeds should be rewarded, and bad actions punished. That when these metaphorical scales are not balanced it … Continue reading Thr3e (2006)
What is it about unsolved murders that grip us? Is it the possibility that the killer is still out there? For whatever reason is we love a good mystery. But few deaths have permeated our culture as the death of Elizabeth Short has. As such … Continue reading The Black Dahlia (2006)
Time travel is seen as the ultimate do-over, a chance to right wrongs, snatch victory from the jaws of defeat. But when you combine it with the butterfly effect, the principle that the smallest alteration could have the wildest consequences, you’ve got the making of … Continue reading The Butterfly Effect 2 (2006)
If there’s one thing that you can be certain of, Hollywood loves consistency. Mainly in terms of the projected return on the budget, mainly by sticking doggedly to themes and tropes that have a proven track record. Some may dislike this, clamouring for more ingenuity … Continue reading Ultraviolet (2006)