The rise of organised crime came into its own with the organised part of the statement. Putting together such a system to coordinate the vast network of competing interests and power plays is no easy task, yet somehow, it came to be. In 1991, the tale of those who put the organised back in organised crime, in Mobsters.
Following the rise of Lucky Luciano, and the infamous members of the Italian and Jewish gangs, mobsters including Bugsy Segal, Frank Costello, and Meyer Lansky. From their plucky origins on the crowded New York streets, to working with the established figures of the prohibition era crime. Their clashes with the old ways of doing things and their new ways may lead to innovations in the way that these mobsters operate. Putting the rise of the organisation into organised crime, and chronicling the origins of the Five Families system.
With the critically acclaimed Bugsy on one side and Touchstone’s Billy Bathgate on the other, 1991 would prove to be an interesting year for films depicting the gangsters of yesteryear. Still, the rise of The Commission is as intriguing a topic for a film as ever. Even if you’re getting a little tired of seeing Tommy Guns and the rise and fall of those who use said Tommy Guns. There are flashes of style and brilliance in this telling of these mobsters, but also numerous scenes of guns, death, and violence that come with the territory for films like these.
Christian Slater leads as Lucky Luciano, taking over from Stanley Tucci from Billy Bathgate, still turning heads after his stint in Heathers a few years back. Alongside him is McSteamy himself, Patrick Dempsey, as Meyer Lansky. It is clear that this film is loaded with heartthrobs, putting customers in seats based on star power alone, but the assembled cast does well in their roles. There are other power players, including the late great Michael Gambon and F. Murray Abraham, representing the older guard of the pre-organised crime families. They all come together to help tell this story of the Mafia before it took hold in the heart of U.S. popular culture.
Mobsters demonstrates the plucky ingenuity of its subject by trying to be leaner and meaner during the making and the presentation. Slater et al. manage to turn heads as both the infamous Lucky Luciano and the other founding members of The Commission. The rise of this modern way of Organised Crime is an interesting subject for a film, and one that feels rare in a genre that feels well-trodden in media. While there may have been stiff competition for mobster films in the early 90s, if you were considering any other films, forget about it.
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